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Oil Paintings Come From United Kingdom
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Marin, John
American Painter, 1870-1953 American painter and printmaker. He attended Stevens Institute in Hoboken, NJ, and worked briefly as an architect before studying at the Pennsylvania Academy of the Fine Arts in Philadelphia from 1899 to 1901 under Thomas Pollock Anshutz and Hugh Breckenridge (1870-1937). His education was supplemented by five years of travel in Europe where he was exposed to avant-garde trends. While abroad, he made etchings of notable and picturesque sites

 

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Marin, John Saint Martin's in the Field oil painting

Painting ID::  19287

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Marin, John
Saint Martin's in the Field
1908 Watercolor on paper Amarillo Museum of Art
   
   
     

 

 

Marin, John Brooklyn Bridge oil painting

Painting ID::  19288

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Marin, John
Brooklyn Bridge
1912 Watercolor on canvas Colby College Museum of Art, Waterville, ME.
   
   
     

 

 

Marin, John Old Church at Ranchos, New Mexico oil painting

Painting ID::  19289

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Marin, John
Old Church at Ranchos, New Mexico
1930 Oil on canvas.
   
   
     

 

 

Marin, John Region of the Brooklyn Bridge Fantasy oil painting

Painting ID::  19290

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Marin, John
Region of the Brooklyn Bridge Fantasy
1932 Watercolor on paper Whitney Museum of American Art, New York.
   
   
     

 

 

Marin, John Woolworth Building oil painting

Painting ID::  39794

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Marin, John
Woolworth Building
mk151 no.28.1912
   
   
     

 

 

Marin, John boat off deer isle oil painting

Painting ID::  67545

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Marin, John
boat off deer isle
1926 se
   
   
     

 

 

Marin, John ogrupp, maine oil painting

Painting ID::  67927

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Marin, John
ogrupp, maine
1922 se
   
   
     

 

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Marin, John
American Painter, 1870-1953 American painter and printmaker. He attended Stevens Institute in Hoboken, NJ, and worked briefly as an architect before studying at the Pennsylvania Academy of the Fine Arts in Philadelphia from 1899 to 1901 under Thomas Pollock Anshutz and Hugh Breckenridge (1870-1937). His education was supplemented by five years of travel in Europe where he was exposed to avant-garde trends. While abroad, he made etchings of notable and picturesque sites